Top 10 Horror Reads 2024

It's been awhile since I did any book recommendations on here, so I thought I'd see if I could come up with my favourite horror reads of 2024. After some deliberation, and in no particular order, here's the result:

Last Night Of Freedom, Dan Howarth (Northern Republic)

A story of a stag-do gone horribly wrong (and not in the strippers and vodka shots kind of way) this was like an English version of Deliverance and it kept me absolutely gripped all the way through. Bloody violent and bloody good.

The End, Kayleigh Dobbs (Black Shuck Books)

A mini-collection in the Black Shuck Shadows range, featuring six tales about the end of, well, everything. Who can end the world six different ways and still keep you guessing until the last page? Kayleigh Dobbs can. 

Stone Gods, Adam Golaski (NO Press)

Adam Golaski might be the most underrated author working in horror/weird fiction at the moment? Maybe it's because he's surreal as much as scary, or maybe it's because he's not exactly prolific—I think this is his second collection of such fiction. And like his first, Worse Than Myself, Stone Gods contains many tales that demonstrate what a travesty that like of recognition is.

Subject 11, Jeffrey Thomas 

An author new to me, and one I immediately vibed with, if that's the right word. This is a novella-length work about ten people undergoing some weird kind of experiment where they're living together in an abandoned factory. Identify-warping weirdness ensues. Loved it.

The Weird Tales Boys, Stephen Jones (PS Publishing)

A book about horror rather than a horror book, this tells the story of Lovecraft, Clark Ashton Smith, and Robert E. Howard, and also the broader story of Weird Tales magazine and pulp publishing at the time. Odd praise for a nonfiction book, but I found it a real page-turner. I knew a bit about HPL's life but not really the others, so some of the tragedy they faced was an actual shock to me.

Dirt Upon My Skin, Steve Toase (Black Shuck Books)

A mini-collection in the Black Shuck Shadows range (hey wow, deja-vu...), each of the stories here is a weird and twisted take on the theme of archeology. Original, well-written, creeps you out - what more could you ask for?

Uncertainties 7, ed. Carly Holmes (Swan River Press)

It's kind of hard to praise an un-themed horror anthology in a couple of sentences without just going 'all the stories are amazing!' but guess what: here, all the stories really are amazing. The Uncertainties series continues to set the bar for original, literate horror fiction in the short story form.

Ivy Grimes Grime Time, Ivy Grimes (Tales From Between)

I'd never heard of Ivy Grimes at the start of 2024, but she's firmly on my radar at the start of this year, based on this mini collection and a smattering of other stories I read in various places online. I hate the word quirky, normally, but it seems to fit these well-written, messed-up and psychological messy tales.

Charlie Says, Neil Williamson (Black Shuck Books)

The minute I read the description of this—basically, urban folk-horror based around the fears and implied rituals of those fuck-creepy 70s public information films—I pre-ordered it. (The fact it's by the always great Neil Williamson was a selling point, too.) And it very very much rewarded me for doing so.

The Return, Rachel Harrison (Holder & Stoughton)

An utterly brilliant horror debut, mixing a creepy hotel, a changed person who's returned after they vanished, and a subtle, funny, and realistic depiction of female friendships, this is really creepy and compulsively readable.

In Praise Of Non-Themed Anthologies

In relation to a few things seen on social media recently, I just wanted to say: non-themed anthologies of original fiction are brilliant, aren't they? Especially, I feel, for weird, supernatural & horror fiction. Why? Well:

1. They can give you a real sense of where the genre is right now, its trends & obsessions

2. Paradoxically, they also provide a purview of the breadth & depth of the genre, irrespective of current trends

3. So they provide homes to stories you sense wouldn't quite 'fit' anywhere else, especially for newer writers

4. They're the best place to find new writers to love in the future, writing from the gut & heart, alongside ones you already know can deliver the goods

5. And you can get a real sense of an editor's personal taste too, their own take on this genre of ours

6. In the best ones, you never know what the next story will bring

But... I confess I find them really hard to review on this blog. There's no theme, so you can't mention that: any connections you see between the stories are likely all in your own mind or too general & obvious to be worth mentioning. And writing about each individual story can feel too repetitive, too much of a time-drain. Especially as there seems to be a tendency for these anthologies to push 20 stories or more.

So I've been remiss on that score, but to repeat, I do love a good non-themed anthology of original horror or supernatural fiction. So here's a link to a few of my favourites of recent years:

Shadows & Tall Trees #6 (ed. Michael Kelly, Undertow)

Shadows & Tall Trees #7 (ed. Michael Kelly, Undertow)

Looming Low #1 (ed. Justin Steele & Sam Cowan, Dim Shores)

New Fears #1 (ed. Mark Morris, Titan)

Nightscript #1 (ed. C.M. Muller, Chthonic Matter)

Nightscript #2 (ed. C.M. Muller, Cthhonic Matter)

A Book Of Horrors (ed. Stephen Jones, Jo Fletcher Books)

Darkest Minds (ed. Ross Warren & Anthony Watson, Dark Minds Press)

For The Night Is Dark (ed. Ross Warren, Crystal Lake)

Strange Tales V (ed. Rosalie Parker, Tartarus Press)

Hauntings (ed. Ian Whates, NewCon Press)
The Shadow Booth #1 (ed. Dan Coxon)
ETA: The Black Room Manuscripts #3 (ed. J.R. Park & Daniel Marc Chant, Sinister Horror Company - suggested by Penny Jones)

Any further suggestions welcome in the comments!