Green & Pleasant Land: Paperback Edition & New Review

The anthology Great British Horror 1: Green & Pleasant Land has just been released in a new paperback edition, and a new review from This Is Horror has some kind words about the book overall and my contribution, 'A Glimpse Of Red':

"...a very ambitious piece about alienation, unreliable memory, and paranoia... Another excellent story from a writer who, though he has been working steadily in dark fiction for a number of years, seems set to gain even greater recognition." (Full review here.)

'A Glimpse Of Red' is a story that seems more timely to me now than when I wrote it. Its central character is an foreginer out of place in the confusing and vaguely sinister place in which she finds herself: modern Britain. In this post-Brexit, post-Jo Cox, immigrant-bashing, Trump-appeasing 2017, I'm increaingly feeling this country, my home, is baffling and sinister too.

Green and Pleasant Land is an anthology I am proud to have been a part of, featuring as it does a wealth of home-grown talent, including V.H. Leslie, Jasper Bark, Ray Cluley, Simon Kurt Unsworth and Laura Mauro.

Great British Horror 1: Green and Pleasant Land  Paperback (UK | US) | Kindle (UK | US)

Edge-Lit 5: After

On Saturday I went to Edge-Lit 5 and had a wonderful time, as always. The whole day passed in much of a blur, so this post won't be as detailed as Mark West's latest Convention Report: he's a man who seems to remember everything that happened. Maybe the fact Mark doesn't drink helps...

Mark West, me, Peter Mark May
(photo by Peter Colborn)

But my post is a few impressionistic snapshots of what I remember from the day:

Sitting opposite someone on the train who was reading a Sarah Pinborough book so I was convinced they were 'one of us' and I almost struck up conversation... but no, they got off at Long Eaton. Poor sod.

The launch for Trying To Be So Quiet (alongside Tracy Fahey launching her new collection and Exaggerated Press launching the Darker Battlefields anthology) seeming to go really well from what I could tell - I signed and sold a few books, so that was a good sign...

Buying some excellent looking books, including both those that launched alongside mine, The Grieving Stones by Gary McMahon, and the Hauntings anthology from NewCon Press

Good friends Mark West, Phil Sloman, Ross Warren, Lisa James, Steve Byrne, Kit Power and many more responding to my 'recent exciting review' in that most British of ways: by taking the piss.

Realising anew each time I signed a book (or in one case a contract) how truly shit my handwriting is.

Sitting discussing horror, ghosts and the past with Victoria Leslie in the sun while eating a delicious chorizo sandwich and fries from The Quad... only to hear Victoria repeat some of my bumbling ideas in her Supernatural Fiction panel later. She gave me credit for them though :)

The look of indignation on Steve's face when informing me they didn't serve beer before 11am...

Simon Bestwick continuing an animated political discussion we'd had online in the front page of his novel Hell's Ditch when he signed it for me. Still not convinced, Simon :)

My first mediocre convention curry. I blame Brexit.

Meeting friends old and new; and despite the risk of missing someone I'm going to list who I remember because these things really are about the people. So as well as the above, shout outs to: Priya Sharma, Peter Mark May, Holly Emma Ice, Dion Winton-Pollock, Andrew Hook, Nina Allen, Cate Gardner, Gary Couzens, John Travis, Johnny Mains, Ian Whates, Amanda Rutter, Terry Grimwood, Richard Farren Barber, Anthony Cowin, Ray Cluley, Roy Gray, Adele Wearing, Angelina Trevena, Gary McMahon, Steve Shaw, Yvonne Davis, Theresa Derwin, Greg James, Gary McMahon - with some of you it was all too fleeting a chat. Lets's rectify that over a pint that at the next one, okay?

Recommendation: Bodies Of Water by V.H. Leslie

Bodies Of Water from Salt is V.H. Leslie's debut novel (following on her from superb collection Skein & Bone last year). It tells two stories, both of which are set in the same building: in the 1870s Evelyn  is sent to Wakewater House to undergo the new-fangled water treatment for her 'nerves'; in the present day divorcee Kirsten moves into Wakewater House, newly renovated into modern flats. Kristen is irresistibly drawn to the river flowing outside her window and her new flat is plagued by mysterious leaks. But the water is not the only thing leaking in, as the past seeps into the present...

Leslie's short stories showed her skill at taking a central theme or image and using it as the basis for her fictions, and the aquatic motifs in Bodies Of Water show her expanding this technique to short novel length. The story weaves together the river, Victorian water-cures, Virginia Woolf's suicide, burst pipes, water spirits and a whole lot more. It works brilliantly; this is a book that feels intricately and elegantly constructed. It's built on strong Gothic foundations but has a thoroughly modern sensibility - intriguingly, this applies equally to the Victorian sections of the book as the present day. Attitudes to prostitution, lesbianism, suicide and poverty are all skilfully dovetailed into the narrative. Emotionally, too, there's a great deal going on here despite the novel's relatively short length: moments of genuine creepiness sit alongside a scenes of tenderness and compassion... although in Leslie's world these are all too easily washed away.

Bodies Of Water is a genuine truimph, a book sure of itself and full of quiet ambition. It confirms Leslie is simply one of the best writers on the scene at the moment. Utterly fantastic.

The Hyde Hotel is OPEN...

The Hyde Hotel officially opens its doors today. Published by Black Shuck Books, it's the first anthology I've ever edited (alongside Dan Howarth). I first had the idea for a book of stories all set in the same hotel a number of years ago, and it's taken awhile to bring to fruition... So big thanks must go to Theresa Derwin, Steve Shaw, and most importantly to all the authors involved who put up with a few delays and all contributed such fine stories. It's genuinely one of the books I'm most proud of being part of.

The Hyde Hotel is available in both ebook and paperback formats - all links at the Black Shuck Books website.


The Hyde Hotel Welcomes You…

The Hyde Hotel looks almost exactly as you’d expect it to: a faceless, budget hotel in a grey city you are just passing through. A hotel aimed at people travelling alone, a hotel where you know so little about your fellow guests that they could be anyone… and where, perhaps, so could you. But sometimes things are hiding in plain sight, and not everyone who stays at The Hyde gets a good night’s sleep…
Enjoy your stay.

Table of Contents

• CHECKING IN  by James Everington
• THE VIEW FROM THE BASEMENT  by Alison Littlewood
• NIGHT PORTERS  by Iain Rowan
• TICK BOX  by Dan Howarth
• THE EDIFICE OF DUST  by Amelia Mangan
• LOST AND FOUND  by S P Miskowski
• HOUSEKEEPING  by Ray Cluley
• SOMETHING LIKE BLOOD  by Alex Davis
• THE COYOTE CORPORATION’S MISPLACED SONG  by Cate Gardner
• WRATH OF THE DEEP  by Simon Bestwick
• THE SEALED WINDOW  by Mark West
• THE BLUE ROOM  by V H Leslie
• CHECKING OUT  by James Everington

The Hyde Hotel Welcomes YOU

So, a bit of an announcement. Really pleased to say that the first anthology I've edited (well, co-edited) will be out next year from Black Shuck Books. THE HYDE HOTEL features horror and weird fiction about guests all staying in the same hotel. As you can see from the contents below there's a fantastic list of contributors. I hope some of you will consider a stay at The Hyde.

Reservations from 07/01/2016.

THE HYDE HOTEL:
James Everington - Checking In
Alison Littlewood​ - The View From The Basement
Iain Rowan​ - Night Porters
Dan​ Howarth - Tick Box
Amelia Mangan​ - The Edifice Of Dust
S.P. Miskowski​ - Lost & Found
Ray Cluley​ - Housekeeping
Alex Davis​ - Something Like Blood
Cate Gardner​ - The Coyote Corporation's Misplaced Song
Simon Bestwick​ - Wrath Of The Deep
Mark West​ - The Sealed Window
V.H. Leslie​ - The Blue Room
James Everington - Checking Out

Recommendation: Skein & Bone by VH Leslie

VH Leslie's is a writer who I first became aware of via her work in Black Static and Shadows & Tall Trees, in which her stories were consistently among the best featured. So I've been looking forward to her debut collection for a long time, and by god Skein & Bone from Undertow Publications doesn't disappoint. In fact, it's one of the best collections of quiet, strange horror I've read for a long time.

Namesake, the opening story, perhaps sums up Leslie's approach: the story of a woman named Burden, trying to lose her unfortunate surname by finding a husband is intricately constructed from the outset, with every detail note perfect. When Burden meets Blithe, a man at a bar, the reader knows her anticipated happy ending isn't on the cards, but the actual ending is both chillingly ambiguous and clear like fine crystal. Namesake showcases Leslie's skill both at wordplay and literary allusion, neither of which detract from the horrific denouement.

There are almost too many highlights in this collection: the deeply unsettling haunting in The Quiet Room; the fantastic allegory of The Cloud Cartographer, the dark, dark comedy of Ghost and the hotel-based psychological horror in The Blue Room. There's plenty of uncanny things happening in these stories but what makes the unease really hit home is the emotional charge behind them all. Grief, loss and missed opportunities haunt Leslie's characters as much as the supernatural or ghostly.

Many of the stories use as a central metaphor something that is handmade, traditionally crafted: old dresses in Skein & Bone, the decoration of a new house in Ulterior Design (with yellow wallpaper, natch), the cooking of preserves in Preservation. There's a similar feel to the stories themselves: these are handcrafted, every allusion and metaphor woven together to make something unique. For this reason, Leslie excels at the endings of her stories: both the literal and the symbolic come together. Indeed, in the perfect last line of Preservation you know longer know or care which is which.

Absorbing, subtle, scary, exquisite - you really, really need to read Skein & Bone. (UK | US)

FantasyCon 2015 - After...

So, Fantasycon 2015. What a weekend.

This year it took place in my home town of Nottingham. Despite my being local, somehow Steve Byrne got to the venue before me, so when I saw on Facebook he was hanging around in the hotel bar I set off. We were soon chatting away over a pint and gradually other people arrived and joined our table: Ross Warren, Lisa Childs, Phil Sloman, Alison Littlewood & her partner Fergus, Simon Bestwick, Cate Gardner, Priya Sharma (who it was lovely to meet for the first time), Theresa Derwin, Steve Shaw and Dean R Drinkel.

Neil Williams, Wayne Parkin, me, a glass of free wine

The latter three were here for the unofficial launch of Masks (which features my story Porcelain) which we'd been planning to do in the bar... unfortunately the constant flow of people coming to check in and the unpromising acoustics meant we couldn't do any readings as planned, but the books looked great (the artwork is by the late James Powell, who sadly passed away earlier this year) so a number of people bought a copy and asked for signatures from me & Phil, which was great.

They'd been a stir of excitement in the hotel when Joe Hill (a late addition to the convention) entered, wearing a Haunting Of Hill House t-shirt no less. When I came back from the bar I found he was stood talking to our little group; Theresa was somewhat flushed and flustered, and managed to introduce me to him as if I were the important celebrity writer: "Joe, have you meet James Everington?" I could see in his eyes he was thinking 'who the hell is this guy?' but he was charming enough not to say it out loud. I just played it cool and told him I liked his t-shirt.

Me and Steve Byrne then went to get signed in and pick up our free books - in terms of choice it was far superior to last year, and I got some lovely hardback editions of Alison Littlewood, Joe R Lansdale and Sarah Pinborough novels, a Conrad Williams collection from PS Publishing as well as several interesting looking paperbacks.

Stephen & Mark

We went into the convention venue proper then, and in the space of another drink or two meet Graeme Reynolds, Lynda E Rucker, Peter Mark May, Paul Feeney, Ray Cluley and his partner Jess, Mark West, Sue Moorcroft, Paul Feeney, Wayne Parkin, Stephen Bacon, Steve Chapman, Clover & Dion Winton-Polak and Emma Audsley. We then went to the first book launch, The Lost Film, featuring a novella apiece by Mark West and Stephen Bacon - two talented writers I'm proud to call friends. They both did a reading, watched over by publisher Chris Teague. It was a really good launch - a big queue for the book, which it deserved given the quality of both Mark and Stephen's previous work.

We then went off for some food, which given the rather poor quality of food in the hotel (already notorious even on the first day) and lack of other options nearby meant a walk to a Toby Carvery. The glamorous life of a writer. So let's gloss over that - back at the convention, Mark had a panel/mock gameshow to attend called The Atrocity Exhibition, which was different to say the least, and got some laughs. I had to leave that before the end to get to Victoria Leslie's reading. I've not managed to review it on here as yet, but I consider her collection Skein & Bone to be among the finest released over the last few years and her reading of one of the stories was predictably brilliant. Later, Victoria and I had a good natter at the bar about all things horror - these kind of conversations that you can't have with 'normal' people are why I relish events like Fantasycon. Somewhere in the midst of the next few drinks I meet both Nina Allen and Simon Kurt Unsworth, who I wanted to say hello to as they were on my panel the next day, and also Neil Williamson, a fellow Infinity Plus author who I've know online for awhile; we've been talking about meeting up at some point for ages.

It was then time for Simon Bestwick's reading, the late night atmosphere suiting his rather bleak extract from his forthcoming novel. After that (I think - bit hazy by this point) I spoke to Alex Davis who will be publishing Trying To Be So Quiet soon and we discussed some of his ideas for the design of the hardback, which sounded amazing.

Saturday started with the launch of Adam Nevill's new novel Lost Girl, complete with a free bottle of local ale - lovely. Adam's a great guy and very supportive of other writers - a fact shown by the fact he let a few of us take over the last fifteen minutes of his launch for a surprise event...

Jim McLeod is the man behind The Gingernuts Of Horror website, one the best sites out there, and he's been a tireless supporter of the horror genre for years, both of the big stars and us lesser names working in the small press. So Phil Sloman put together a book for Jim... a very special book, of which they'll only ever be one physical copy printed. Jim McLeod Must Die! features stories from over 20 different horror authors; in all of them a character called Jim McLeod dies or suffers a fate worse than death. My own story is called Peephole and it was an absolute pleasure to be asked to be included in something so special. The look on Jim's face when he realised what was going on was priceless and for me a moment that sums up Fantasycon: the friendships made at conventions really do lead to great moments like this.

Jim McLeod, Mark West, Phil Sloman (with Sue Moorcroft in the background)

Then followed the launch of the second Spectral Book Of Horrors, in which a huge number of the authors were in attendance to sign, including many I've already mentioned, plus top gents Robert Shearman and Stephen Volk - and of course editor Mark Morris and publisher Simon Marshall Jones.

The it was on to my first panel. Gulp. Which I was moderating. In the main theatre. Double gulp. British Horror Present & Future featured myself, Simon Kurt Unsworth, Nina Allen, Stephen Jones, Cate Gardner, Alison Littlewood and Adam Nevill. Of course, with a lineup as good as that I didn't really have to do much as moderator - we got through less than half the questions I had prepared because everyone's answers were so good. Someone said later that it had the feel of a proper discussion rather than just a back-and-forth Q&A so I was really pleased with that. And as with all these things, once you're actually doing it your nerves vanish.

Me, Simon Kurt Unsworth, Stephen Jones, Cate Gardner, Alison Littlewood, Nina Allen, Adam Nevill

After that a bunch of us went to Priya Sharma's reading, which was excellent, and confirmed what I already knew: that I need to read more of her work. I think it was just after Priya's reading that I said hello to Laura Mauro for the first time, another writer who I know online but was glad to meet in person. (Nearly all horror authors turn out to be lovely people, in my experience.) Then myself and Mark bumped into Andrew David Barker, whose novel Dead Leaves was being launched at the con. Andrew's a great guy but very modest and he couldn't have looked more abashed as me and Mark praised his book to heaven and back...

Then I went to see the Weirdness, Darkness & Madness panel, which was obviously right up my street. It was moderated by Terry Grimwood and featured Mark West, Kim Lakin Smith, Helen Marshall, Deborah Walker and Timothy J Jarvis. It was a great panel, one of the best I've seen at a convention.

Outside, we gathered in the foyer for one of the most important parts of any con - curry. Before setting off I had a quick chat with Timothy Jarvis - some of what he had said on the panel had been really interesting, and he gave me a copy of his book. He had a reading later, which I said I'd attend after the curry - after all we had nearly three hours, so what could possible stop me?

Unfortunately it wasn't to be - despite having booked, when so many of us turned up at the restaurant they were woefully unprepared. It was nearly 90mins before starters arrived, never mind the main course. (To be fair, my food was great.) So with the 20min walk either way, we were gone for hours, meaning I missed both Timothy's reading and the Undertow launch of Skein & Bone and Aickman's Heirs. Still, during the loooooong meal I was introduced to Simon Clark and had some good chats with Phil, Dean, Jay Eales & Selina Lock and Benedict Jones.

Paul Woodward, Phil Sloman, Stephen Bacon, Mark West, Alison Littlewood, Jim McLeod, me, Gavin Williams (front)

I had a late night reading slot (11.30) and I was thinking that at that time hardly anyone would turn up, especially as it clashed with the infamous Fcon disco (where I'm reliably informed Mark owned the dance floor for the second year running). But there must have been 20, 25 people there and I read part of my story The Man Dogs Hated which seemed to go down really well - I sold a number of copies of Falling Over afterwards with one person even turning straight to the story to see how it ended. My reading was followed by one by Kit Power (and his flamboyant trousers) which was really enjoyable. Outside, not fancying the sounds of the Timewarp bellowing from the dance floor I sat and had a few beers with Steve and Laura & Peter Watkinson, Stephen King (not that one) and Katina Bill.

I only attended one event on the Sunday, but it was a corker: a reading by Helen Marshall. Like all her work the story was simultaneously funny and moving. I saw a lot of great readings this year, but against tough competition Helen's was the best. I then perused the Dealers Room, having a chat with Terry Grimwood and then the boys from the Sinister Horror table. And then after a few more beers it was time for goodbyes. It took about an hour to say goodbye to everyone there at that point. 

Reading back, somehow I've not even mentioned meeting Ruth Booth, Gary Couzans, KT Davies, Paul Holmes, Fiona Ní Éalaighthe (and her ear!), Andrew Hook, Carole Johnstone, Tom Johnstone, fellow Outsider Rosanne Rabinowitz, John Travis, Tim Major, Ren Warom (we'll have a proper chat next time!) or Paul Woodward. Which just about sums FantasyCon up - there's so many great people there, so many friendships to forge or renew that's it's impossible to remember it all.

A special mention must go to Adele Wearing though, who I didn't manage to see all weekend, despite the fact that she apparently waved at me on a few occasions. That's my professional networking skills for you - completely blanking an award winning publisher (Fox Spirit deservedly won this year's Small Press award) even when she beckoned me over... 

There was a nice coda to the convention when myself and Phil headed into Nottingham to have some food and a few pints before his train. Phil had never been to Nottingham before, so I took him to The Broadway cinema (largely on the basis it has The Shining quotes on one window) and then, of course, to Ye Olde Trip To Jerusalem (or 'The Trip' as everyone in Nottingham calls it) which is meant to be the oldest pub in the UK, and is built into the cliffs under the castle. We had a great chat about our hopes for our writing in the future and then Phil left to get his train and it was all over...

I got home, dumped my bag... and later that night logged on and order my ticket for FantasyCon 2016.

The Outsiders

Very pleased to say The Outsiders, a shared world Lovecraftian anthology from Crystal Lake Publishing is out today. It features my story Impossible Colours as well as stories by Stephen Bacon, Gary Fry, V.H. Leslie and Rosanne Rabinowitz plus an introduction by Kevin Lucia. It's an absolute privilege to be published alongside such great authors and being in a book from the fantastic Crystal Lake Publishing is just the icing on the cake.

You can read the blurb below, as well as quotes from each author, including me, about their story.

The Outsiders is available in paperback (UK | US) and ebook (UK | US)

Inside Priory awaits a lot more than meets the eye. The people might seem friendly, but only because their enigmatic leader Charles Erich accepts nothing less.

The cottages within this gated community seem simple enough, and even though what lurks beneath them is more ancient than mankind itself, can anything be more evil than the people worshipping it?

If you dare follow this UK invasion of five prime authors as they each tell their own story of the people living behind Priory's steel gates and high walls, you'll quickly find yourself an outsider, as well.

Stephen Bacon – James Everington – Gary Fry –

V.H. Leslie – Rosanne Rabinowitz

The Priory. A community of one mind and purpose. A place of order, commitment, peace, and service. A perfect world, building on mind shattering secrets from beyond the pale. Enter…if you dare.

“As I wrote the story, I drew on my experience of returning to places where I grew up as an outsider, the 'home town' that was never home – an experience that many people share.” – Rosanne Rabinowitz

“I wanted to take this idea of digging deeper quite literally and write about not only the mysterious and potentially dangerous things the earth conceals, but the often beautiful things it relinquishes.” – V.H. Leslie

“Joe's (the editor's) notion of a gated community filled with various reclusive go-getters fired my imagination, coming as it did during a spell of unprecedentedly terrible activity during a perpetual interest of mine, the darker reaches of the UK economy, all its social strata and clench-palmed denizens. The secrecy and exclusivity of such an enclosed venue struck me as an able symbol for the nefarious activities of many folk involved in the national conspiracy of theft and concealment which characterised the credit crunch.” – Gary Fry

“Lovecraft’s racism (at least as it manifests itself in his fiction) has always seemed to me to be psychological as much as political or overtly fascist. The word ‘xenophobia’ (a rejected title for ‘Impossible Colours’) appropriately describes his unease towards all outsiders, not just those of different coloured skin. Indeed some of his best fiction is driven precisely by the horror of being overrun, of being subsumed by ‘the others.’” – James Everington

Fantasycon 2014 - York

This weekend I attended my first Fantasycon convention; I've been to a few cons now but this was the first 'overnighter' and so I was slightly nervous as I am often am in groups of people I don't know. But it helped that I knew good friends from other cons were going to be there, in particular my fellow 'failed to find an Indian restaurant in Birmingham' partners Mark West, Phil Ambler, and Steve Byrne, who I knew could be relied on to draw me out of my shell if needed. (Backup plan: beer.) But any nerves were misplaced for it was one of the most friendly, welcoming events I've been to, and all the people I met or re-met over the course of the weekend made it so.

Some specific highlights:

Book Launch: No One Gets Out Alive by Adam Nevill
What I was saying about people above? Adam Nevill is a case in point - a thoroughly friendly and welcoming guy, and fellow Robert Aickman fan to boot. (Anyone who likes Aickman is alright in my book.) Adam's one of the most successful horror writers out there at the moment, and I'm a big fan of his work, so a chance to get a signed copy of his new book well before release day was too good to pass up.

A Tribute To Joel Lane
Unlike many people present, I never met Joel Lane, but his short stories were always excellent and if it wasn't for his tragically early death he would undoubtedly have been one of the authors I'd have spent ages trying to pluck up the courage to speak to. A number of authors including Simon Bestwick and Ramsey Campbell read from Joel's work and shared some memories of him. Despite the crap acoustics and loud people at the bar behind us, it was a really very special.

Reading: VH Leslie
VH Leslie's short stories are some of the finest I've read this year, a real class act. For this event she read her story Namesake  (you can find it in Best British Horror 2014) and her reading really brought out both the humour and the unease in the tale. I was lucky enough to get the chance to chat with Victoria a couple of times over the weekend; another damn friendly fellow writer.

Book Launch: The Spectral Book of Horror Stories
This was by far the most packed event I attended, and no surprise: the number of authors who were present to sign the book was massive, the signatures & messages in mine not even all fitting onto one page. Here I said hello to online friends Alison Littlewood and Stephen Volk for the first time in person, and finally overcame my stuttering awe to tell Ramsey Campbell what an inspiration he was and is.

Book Launch:The End by Gary McMahon
There was so much going on on the Saturday, but no way was I going to miss the book launch for a new Gary McMahon book. No way. Regular readers will already know how good I think his work is. I also got the chance to buy a copy of his forthcoming chapbook from Knightwatch Press, The Night Just Got Darker directly from Gary in the bar. Given the prices in the con bar, I think it was the cheapest thing I actually purchased in there...

Book Launch: Boo Books/Knightwatch
This was the event where I read from The Place Where It Always Rains from Worms, which seemed to go okay. There were also readings from K.T. Davies (a pleasure to meet, as always), Simon Bestwick (ditto), Allen Ashley, and Reggie Oliver reading Anna Taborksa's stories from Worms.

Food:the weekend also didn't disappoint on this score. Two fabulous pub lunches in The Maltings, which was an nice old fashioned pub (with decoration that included an old sign about where to get treated for VD). A scrumptious evening meal in The Yak & Yeti, apparently Britain's only Gurkha restaurant. And a Saturday curry organised by Phil, where the only thing bigger than the size of the guest-list was the size of the naan breads. Epic naan.

More People: I probably won't remember everyone, but in addition to those above it really was great to chat to Steve Mosby, Jim McLeod, Johnny Mains, Lynda E Rucker, Ruth Booth, Stephen Bacon, Ross Warren, Alex Davis, Terry Grimwood, Paul Holmes, Dion Winton-Polack, Neil Snowden, Sue Moorcroft, Steve Chapman, Neil Williams, Graeme Reynolds, Simon Marshall Jones, Christopher Teague, Robert Shearman, Dave Jeffery, Adele Wearing, Jasper Bark, John Travis...

If I've not mentioned you it's due to my own crapness, don't worry. Or because your pass was on the wrong way round when we spoke, or because you were someone I met exclusively between the hours of 1am and 3am on the Saturday when things were a bit hazy. And speaking of Saturday night:

A Summing Up: The penultimate song at the Fantasycon disco was Elbow's One Day Like This, which finishes with the repeated refrain Throw those curtains wide, One day like this a year would see me right. Which about sums it up - writing can be a lonely business, with the doubts and rejections and long nights, and even the most sympathetic non-writing friend or family member is unlikely to want to talk about our weird stories for more than a few minutes at a time... So chances like this to speak to fellow writers and editors and reviewers feel like something really special to me now, a chance to recharge my creative batteries and go back into the real world all fired up. A chance to remember how lucky I am to be part of a genre I love in some small way.

Okay, the lyrics don't quite fit, but yes: days like this, and all you fab people - you see me right.