Showing posts with label Newcon Press. Show all posts
Showing posts with label Newcon Press. Show all posts

7/01/2025

'The Call' in BLOOD IN THE BRICKS

 Really pleased to announce that my story, 'The Call' is part of the lineup for the forthcoming anthology Blood In The Bricks from NewCon Press, and edited by Neil Williamson. It's a book of urban folk horror, and being launched at World Fantasycon in Brighton in October. The blurb, preorder links, and the stellar lineup are below:

Tales of the city redolent with ritual and drenched in dread.

Folk Horror is primarily associated with isolated settings and weird beliefs. Traditionally the isolated setting is rural, but our cities have been around for a long time too, their histories constructed layer upon layer, their secrets long kept and buried deep. And there are other types of isolation than geographical remoteness: housing schemes and suburbs, gilded business districts and gated communities, industrial wastelands and crumbling tower blocks...

Who knows what our old bricks were made of or what lies beneath our brightly lit pavements? Who knows what superstitions have been passed down the generations and who knows what goes on behind the locked doors of the community centre?

Down Street – James Bennett
Danse Macabre – Kim Lakin
Hagstone – Tracy Fahey
Gerädert Fühlen – Steve Toase
The Inverse Nurse – Ian Whates
Open Studios – E Saxey
Escape Notice – Tim Major
Larking – Phil Sloman
When the Blood Runs Dry – Lyndsey Croal
A Tiding – Timothy J Jarvis
Our Sister of Blackthorn – Dan Coxon
One of The Rotten Ones – Matthew Hopkins
The Rope Swing – Penny Jones
A Pinch of Salt – Joanna Corrance
A Body’s Got to Have Hope – Angela Slatter
The Call – James Everington
Fulfilment – Harvey Welles & Phil Raines
Extraction – Don Redwood
Flip – Ray Cluley

Blood in the Bricks is available as a paperback, an ebook, and as a signed limited edition hardback signed by all the contributing authors.


10/15/2018

My Fantasycon 2018 Schedule

This weekend it's Fantasycon, an event I like forward to immensely. And on the assumption that you, hypothetical blog-reader and Fcon-goer, are more organised than me and actually plan these things out in advance, here's my schedule - come say hi!

Friday 19/10 - 4pm, The Jubilee Room
Book Launch: The Black Room Manuscripts IV (The Sinister Horror Company)
This great looking anthology, edited by J.R. Park & Tracy Fahey, features my story 'Size Isn't Everything'. Something special is promised for the launch, so it should be a lot of fun...

Saturday 20/10 - 2pm, Panel Room 1
Being BFA Nominees
Ed Fortune (Moderator), James Everington, Anna Smith Spark, Stephen Volk, Jen Williams

Saturday 20/10 - 5pm, The Jubilee Room
Book Launch: Best British Horror 2018 (NewCon Press)
Great to see Johnny Mains's yearly patriotic best-of return; this year I'm chuffed to bits he chose my story 'The Affair' for inclusion. 

Saturday 20/10 - 8pm, The Disraeli Room
Readings: Fantasy
Not quite sure why I'm in a 'fantasy' reading slot, but I'm alongside the excellent Eliza Chan & Mike Chinn, so it will be alright on the night I'm sure.

Sunday 21/10 - 1pm, Panel Room 2
Strange Fiction
Andrew Hook, Duncan P. Bradshaw, Gary Budden, Georgina Bruce, James Everington, Jan Edwards

Sunday 21/10 - 3pm, The Jubilee Room
The British Fantasy Awards
I probably won't still be there for this, but I will be in spirit because Imposter Syndrome is nominated for Best Anthology!

3/16/2018

In Praise Of Non-Themed Anthologies

In relation to a few things seen on social media recently, I just wanted to say: non-themed anthologies of original fiction are brilliant, aren't they? Especially, I feel, for weird, supernatural & horror fiction. Why? Well:

1. They can give you a real sense of where the genre is right now, its trends & obsessions
2. Paradoxically, they also provide a purview of the breadth & depth of the genre, irrespective of current trends
3. So they provide homes to stories you sense wouldn't quite 'fit' anywhere else, especially for newer writers
4. They're the best place to find new writers to love in the future, writing from the gut & heart, alongside ones you already know can deliver the goods
5. And you can get a real sense of an editor's personal taste too, their own take on this genre of ours
6. In the best ones, you never know what the next story will bring

But... I confess I find them really hard to review on this blog. There's no theme, so you can't mention that: any connections you see between the stories are likely all in your own mind or too general & obvious to be worth mentioning. And writing about each individual story can feel too repetitive, too much of a time-drain. Especially as there seems to be a tendency for these anthologies to push 20 stories or more.

So I've been remiss on that score, but to repeat, I do love a good non-themed anthology of original horror or supernatural fiction. So here's a link to a few of my favourites of recent years:

Shadows & Tall Trees #6 (ed. Michael Kelly, Undertow)
Shadows & Tall Trees #7 (ed. Michael Kelly, Undertow)
Looming Low #1 (ed. Justin Steele & Sam Cowan, Dim Shores)
New Fears #1 (ed. Mark Morris, Titan)
Nightscript #1 (ed. C.M. Muller, Chthonic Matter)
Nightscript #2 (ed. C.M. Muller, Cthhonic Matter)
A Book Of Horrors (ed. Stephen Jones, Jo Fletcher Books)
Darkest Minds (ed. Ross Warren & Anthony Watson, Dark Minds Press)
For The Night Is Dark (ed. Ross Warren, Crystal Lake)
Strange Tales V (ed. Rosalie Parker, Tartarus Press)
Hauntings (ed. Ian Whates, NewCon Press)
The Shadow Booth #1 (ed. Dan Coxon)
ETA: The Black Room Manuscripts #3 (ed. J.R. Park & Daniel Marc Chant, Sinister Horror Company - suggested by Penny Jones)

Any further suggestions welcome in the comments!

7/14/2017

Recommendation: Cottingley by Alison Littlewood

"Dear Sir Arthur Conan Doyle..."

So begins this new novella from Alison Littlewood, the second in the 2017 NewCon press horror range. And it makes a nice contrast with the first, Case Of The Bedevilled Poet by Simon Clark. Clark's novella played with the fictionality of Sherlock Holmes; Alison Littlewood's Cottingley offers a fictionlised version of Holmes's creator.

Doyle himself does not appear onstage in this story, but it is based around a well-known chapter in his life, that of the Cottingley fairies. Famously, Doyle was taken in by these fakes, but in Littlewood's novella fairies are real; but they aren't as innocent as those in the famous photos. Instead, this tale explores the darker side of fairie lore. Littlewood's fairies don't seem evil or good so much as alien and other: beings that might entrance or harm us for their own unfathomable motives.

The story is told in the form of letters written by a Thomas Fairclough, a resident of Cottingley, who lives with his daughter in law and grandchild (his son having perished in WW1). They encounter shinning beings near the local brook, and despite the beauty of what they encounter even here there's traces of the unease to come. An unease only heightened when Fairclough returns home with the dead body of one of the creatures for reasons (he says) of science. Despite the story being related entirely via Fairclough's letters to Doyle and his associate Mr. Gardner (we never get to read their replies) we see both the good side of his character and his foibles—a certain vanity, perhaps, in his being the one to discover of the fairies, and a desire for the respect of great men like Conan Doyle. But Fairclough is a brave man, too, and it isn't long before he is put to the test...

It will be no surprise to long time readers of this blog how much I like Littlewood's fiction, and Cottingley is no exception. It expertly evokes both its setting and the characters' emotional lives; it's impeccably paced, perfectly structured, and a genuine page-turner. I devoured it in one sitting. Make sure you pick up a copy.

(UK | US)

12/22/2014

Favourite Short Stories of 2014

I've been keeping a list of the best short stories I read this year - they weren't all necessarily published this year, but they're all relatively recent. I read a lot of short stories, so although there's nearly a hundred below that doesn't mean I've not been very strict in selecting what to include. Each story had to impress me enough to make a note of it in the first place, and then still seem as impressive when I whittled the list down for this post.

I've tried not to include too many stories from any single author or from any specific book; in all cases I've listed the publication I read the story in, not necessarily where it was originally published.

Last year I had a few emails from readers saying they discovered some new stories from the 2013 list, so I hope that's the case this time. And a big cheesy thank you to all the authors & publishers, for the inspiration, exhilaration (and not a little envy) your stories gave me.

Nina Allen: Seeing Nancy (The Mammoth Book Of Ghost Stories By Women)
Stephen Bacon: Apports (Black Static #36)
Stephen Bacon: I Am A Creation Of Now (Peel Back The Sky, Gray Friar Press)
Stephen Bacon: The Trauma Statement (Peel Back The Sky, Gray Friar Press)
Richard Farren Barber: Bus Routes Through the Sticks (The Horror Fields, Morpheus Tales Publishing)
Richard Farren Barber: Where The Stones Lie (The 13 Ghosts Of Christmas, Spectral Press)
Jasper Bark: How The Dark Bleeds (Stuck On Your & Other Prime Cuts, Crystal Lake)
Laird Barron: Nemesis (Primeval: A Journal Of The Uncanny #1) 
Simon Bestwick: A Kiss Of Old Thorns (The Condemned, Gray Friar Press)
Michael Blumlein: Success (Year's Best Weird Fiction, Undertow)
Eric Brown: The Disciples Of Apollo (Ghostwriting, Infinity Plus)
Eric Brown: The Man Who Never Read Novels (Ghostwriting, Infinity Plus)
Pat Cadigan: Chalk (This Is Horror chapbook)
Chloe N Clark: Mud (The Rain, Party, & Disaster Society Feb 2014)
Chloe N Clark: Who Walks Beside You (Supernatural Tales #25)
Ray Cluley: The Festering (Black Static #36)
Ray Cluley: Water For Drowning (This Is Horror chapbook)
Ray Cluley & Ralph Robert Moore: The Space Between (Shadows & Tall Trees 2014, Undertow)
Erin Cole: Between Feathers & Furs (February Femme Fatales)
MR Cosby: Necessary Procedure (Dying Embers, Satalyte Publishing)
MR Cosby: Turning The Cups (Haunted, Boo Books)
Anthony Cowin: The Brittle Birds (Perpetual Motion Machine)
KT Davies: Zombie Worms Ate My Hamster (Worms, Knightwatch Press)
Kristi DeMeester: Like Feather, Like Bone (Year's Best Weird Fiction, Undertow)
Paul M Feeney: The Weight Of The Ocean (Phrenic Press)
Gary Fry: Biofeedback (Best British Horror 2014, Salt)
Terry Grimwood: Red Hands (The Exaggerated Man & Other Stories, The Exaggerated Press)
Terry Grimwood: Soul Masque (Spectral Press chapbook)
Stephen Graham Jones: The Elvis Room (This Is Horror chapbook)
Rachel Halsall: The Conch (Hauntings, Hic Dragones)
Frances Hardinge: Slink-Thinking (La Femme, NewCon Press)
Hannah Kate: Lever's Row (Hauntings, Hic Dragones)
Holly Ice: Trysting Antlers (La Femme, NewCon Press)
Jane Jakeman: Adoptagrave (Supernatural Tales #16)
Carole Johnstone: Scent (The Bright Day Is Done, Gray Friar Press)
Carole Johnstone: Stomping Ground (The Bright Day Is Done, Gray Friar Press)
Joel Lane: Like Shattered Stone (Joel Lane Archive, Spectral Press)
Emma Lannie: There Is A Light & It Never Goes Out (After The Fall, Boo Books)
VH Leslie: Namesake (Black Static #36)
VH Leslie: The Quiet Room (Shadows & Tall Trees 2014, Undertow)
Alison Littlewood: The Dog's Home (The Spectral Book Of Horror Stories, Spectral Press)
Livia Llewellyn: Furnace (Year's Best Weird Fiction, Undertow)
Sean Logan: The Tagalong (Supernatural Tales #27)
Johnny Mains: Aldeburgh (Frightfully Cosy and Mild Stories for Nervous Types, Shadow Publishing)
Usman T Malik: Ishq (Black Static #43)
Nick Mamatas: And Then, And Then, And Then... (Innsmouth Free Press)
Amelia Mangan: If I Were You (X7, Knightwatch Press)
Amelia Mangan: These Blasted Lands (After The Fall, Boo Books)
Helen Marshall: Death & The Girl From Phi Delta Zeta (Gifts For The One Who Comes After, Chizine)
Helen Marshall: In The Year Of Omens (Gifts For The One Who Comes After, Chizine)
Helen Marshall: We Ruin The Sky (Gifts For The One Who Comes After, Chizine)
Laura Mauro: When Charlie Sleeps (Black Static #37)
Gary McMahon: For The Night Is Dark (Knightwatch Press chapbook)
Gary McMahon: The Ghost Of Rain (Tales Of The Weak & Wounded, Dark Regions Press)
SP Miskowski: This Many (Little Visible Delight, Omnium Gatherum)
Alison Moore: Eastmouth (The Spectral Book Of Horror Stories, Spectral Press)
Alice Munro: Queenie (Penguin chapbook)
Scott Nicholay: Eyes Exchange Bank (Year's Best Weird Fiction, Undertow)
Thana Niveau: And May All Your Christmases (The 13 Ghosts Of Christmas, Spectral Press)
Thana Niveau: Stolen To Time (From Hell To Eternity, Gray Friar Press)
Antony Oldknow: Ruelle Des Martyrs (Supernatural Tales #26)
Jonathan Oliver: Baby 17 (British Fantasy Society Journal #11)
Reggie Oliver & MR James: The Game Of Bear (The Mammoth Book Of Best New Horror #21)
Stephen Palmer: Palestinian Sweets (La Femme, NewCon Press)
Sarah Pinborough: Collect Call (The Mammoth Book Of Ghost Stories By Women)
John Llewellyn Probert: The Secondary Host (Best British Horror 2014, Salt)
Iain Rowan: The Grey Ship (52 Songs, 52 Stories)
Iain Rowan: Waiting For The Man (52 Songs, 52 Stories)
Nicholas Royle: Dead End (X7, Knightwatch Press)
Nicholas Royle: The Reunion (The Mammoth Book Of Best New Horror #21)
Lynda E Rucker: Beneath The Drops (The Moon Will Look Strange, Karoshi Books)
Lynda E Rucker: The Moon Will Look Strange (The Moon Will Look Strange, Karoshi Books)
Karen Runge: The Philosopher (Pantheon July 2013)
Daniel I Russell: Following Orders (Phobophobias, Western Legends Publishing)
Ray Russell: Company (Supernatural Tales #16)
Eric Schaller: To Assume The Writer's Crown: Notes On The Craft (Shadows & Tall Trees 2014, Undertow)
Robert Shearman: Granny's Grinning (The Mammoth Book Of Best New Horror #21)
Robert Shearman: It Flows From The Mouth (Shadows & Tall Trees 2014, Undertow)
Angela Slatter: Home & Hearth (Spectral Press chapbook)
Phil Sloman: P Is For Pathophobia (Phobophobias, Western Legends Publishing)
Michael Marshall Smith: Author Of The Death (Best British Horror 2014, Salt)
Elizabeth Stott: Touch Me With Your Cold, Hard Fingers (Best British Horror 2014, Salt)
Simon Strantzas: The Nineteenth Step (Year's Best Weird Fiction, Undertow)
Cameron Suey: East (After The Fall, Boo Books)
Adrian Tchiakovsky: Lost Soldiers (The 13 Ghosts Of Christmas, Spectral Press)
Steve Rasnic Tem: The Night Doctor (The Spectral Book Of Horror Stories, Spectral Press)
Stephen Volk: The Magician Kelso Dennett (Best British Horror 2014, Salt)
Mark West: The City In The Rain (Strange Tales, PenMan Press)
Mark West: A Quiet Weekend Away (Strange Tales, PenMan Press)
Conrad Williams: The Jungle (Nightjar Press chapbook)
Neil Williamson: Amber Rain (The Ephemera, Infinity Plus)
Mercedes M Yardley: Black Eyes Broken (Little Visible Delight, Omnium Gatherum)
Rio Youers: Outside Heavenly (The Spectral Book Of Horror Stories, Spectral Press)