So, Robert Shearman then.
Anyone who's had the distinct pleasure of reading Robert Shearman's stories before will no doubt agree when I say he's one of the best, most distinctive, most original short story writers in the UK at the moment. Let's take that as read. And a bloody nice guy as well, if you've ever had the opportunity to chat to him at a convention. And one of the best writers at reading aloud his own work. Let's take all of that as read...
Because he's just pulled off something incredible. He's released a collection with one hundred and one short stories in it. Not pokey little micro-fictions or flash-fiction, but actually short stories. Which each reader will get to read in an entirely different order, depending on answers they give to questions at the end of each story they read. It's called We All Hear Stories In the Dark, and is published in three volumes by PS Publishing (you can buy it here).
Faced with such an incredible—if not lunatic—achievement, Jim McLeod of Gingernuts Of Horror decided to match it, and commission a review of every individual story in the collection. And so the 101 Club was born, and I was delighted to be asked to review two tales, 'The New Adventures Of Robin Hood' and 'Canon Fodder'. One's about Robin Hood—sort of—and one is about Shakespeare—sort of. Naturally, I decide to start my reviews of them with a, uh, Public Enemy lyric.
You can find Jim McLeod's introduction to The 101 Club here, along with links to the five pages of reviews. It's a huge undertaking, but one which a writer of Rob's talent and kindness totally deserves. And I think I speak for all the reviewers when I say it's been a true labour of love too. I do hope you'll give it a read, and purchase the book.
"The triumph of Everington’s first novel is that, while hinting at lofty literary precedents, it cumulatively takes on an unsettling voice all of its own." The Guardian
Showing posts with label Jim McLeod. Show all posts
Showing posts with label Jim McLeod. Show all posts
4/20/2020
12/30/2016
2016: My Writing Year
So 2016, eh? An, uh, 'interesting' year for many of us... for reasons I'm sure you don't need me to remind you of.
But just judging 2016 based on what it meant for my writing, it was a good year. In terms of books published I looked very prolific, but in reality this was caused by the vagaries of small-press publishing schedules rather than anything else.
Books
Trying To Be So Quiet
A ghost story released as a (brilliantly designed) hardback - a first for me. Jim McLeod of Ginger Nuts Of Horror included TTBSQ in his Top 20 Books of the year, and Anthony Watson mentioned it in his 2016 Review post on his Dark Musings site. Sadly Boo Books are no longer with us, so I'll be looking for a new home for this one.
The Quarantined City
Finally the whole story could be told... stories, in fact. After 'publisher problems' prevented this being released episodically as originally planned, the brilliant Infinity Plus stepped in to release the whole novel. It's the book of mine I'm probably most proud of, and Anthony Watson picked it as his second favourite novel of the year, calling it a "truimph". And of course I'm going to be crass enough to mention again that this one got reviewed in the bloody Guardian.
Paupers' Graves
Part of the Hersham Horror novella range, this one stretched me as a writer, involving a fair amount of historical research (the setting is based on a real life cemetery here in Nottingham). Fortunately the hard work seemed to pay off, with Mark West including Paupers' Graves in his annual Westies awards; Horror Novel Reviews in this 2016 List; Anthony Watson mentioning it in his year end piece; as did Kit Power in his personal round up for Ginger Nuts of Horror.
The Hyde Hotel
My first book as editor, alongside Dan Howarth. I loved putting together this - thanks to all the stellar authors involved. And again, Anthony Watson (a man I owe a drink to, should we ever met) mentioned this in his roundup of the year.
Stories & Non-Fiction:
Including reprints, I had seven stories published this year. The new ones were 'Hooked' (Thirteen Signs), 'A Glimpse of Red' (Great British Horror #1: Green &Pleasant Land) and 'Premonition' (Reflections). And although not released in 2016, Kit Power (a cracking writer in himself) mentioned 'The Man Dogs Hated' (from Falling Over) as one of his favourite short stories he read this year in his own annual round up.
I also had two pieces in the Writers On Writing series from Crystal Lake, both republished in the Omnibus Edition: 'Embracing Your Inner Shitness' and 'Fictional Emotions; Emotional Fictions'.
Events:
I attended more writing related events than ever before, and had a blast at all of them: Edge-Lit 5, Sledge-lit 2, Derby Writers' Day, Nottingham Library Local Writers Showcase, and of course the annual three days of talking books, eating food, launching books, drinking beer and buying books that is Fantasycon.
Coming Up...
2017 will see me hard at work upon a novel, as well as hopefully see some more short stories published. I'm tentatively thinking about what tales should feature in my next collection too, so hopefully they'll be some news on that.
But just judging 2016 based on what it meant for my writing, it was a good year. In terms of books published I looked very prolific, but in reality this was caused by the vagaries of small-press publishing schedules rather than anything else.
Books
Trying To Be So Quiet
A ghost story released as a (brilliantly designed) hardback - a first for me. Jim McLeod of Ginger Nuts Of Horror included TTBSQ in his Top 20 Books of the year, and Anthony Watson mentioned it in his 2016 Review post on his Dark Musings site. Sadly Boo Books are no longer with us, so I'll be looking for a new home for this one.
The Quarantined City
Finally the whole story could be told... stories, in fact. After 'publisher problems' prevented this being released episodically as originally planned, the brilliant Infinity Plus stepped in to release the whole novel. It's the book of mine I'm probably most proud of, and Anthony Watson picked it as his second favourite novel of the year, calling it a "truimph". And of course I'm going to be crass enough to mention again that this one got reviewed in the bloody Guardian.
Paupers' Graves
Part of the Hersham Horror novella range, this one stretched me as a writer, involving a fair amount of historical research (the setting is based on a real life cemetery here in Nottingham). Fortunately the hard work seemed to pay off, with Mark West including Paupers' Graves in his annual Westies awards; Horror Novel Reviews in this 2016 List; Anthony Watson mentioning it in his year end piece; as did Kit Power in his personal round up for Ginger Nuts of Horror.
The Hyde Hotel
My first book as editor, alongside Dan Howarth. I loved putting together this - thanks to all the stellar authors involved. And again, Anthony Watson (a man I owe a drink to, should we ever met) mentioned this in his roundup of the year.
Stories & Non-Fiction:
Including reprints, I had seven stories published this year. The new ones were 'Hooked' (Thirteen Signs), 'A Glimpse of Red' (Great British Horror #1: Green &Pleasant Land) and 'Premonition' (Reflections). And although not released in 2016, Kit Power (a cracking writer in himself) mentioned 'The Man Dogs Hated' (from Falling Over) as one of his favourite short stories he read this year in his own annual round up.
I also had two pieces in the Writers On Writing series from Crystal Lake, both republished in the Omnibus Edition: 'Embracing Your Inner Shitness' and 'Fictional Emotions; Emotional Fictions'.
Events:
I attended more writing related events than ever before, and had a blast at all of them: Edge-Lit 5, Sledge-lit 2, Derby Writers' Day, Nottingham Library Local Writers Showcase, and of course the annual three days of talking books, eating food, launching books, drinking beer and buying books that is Fantasycon.
Coming Up...
2017 will see me hard at work upon a novel, as well as hopefully see some more short stories published. I'm tentatively thinking about what tales should feature in my next collection too, so hopefully they'll be some news on that.
See you next year, everyone!
5/02/2016
Double Ginger Nuts
Big thanks to the Ginger Nuts Of Horror site for not just one but two fantastic reviews recently. Firstly, head honcho Jim Mcleod reviewed my forthcoming novella Trying To Be So Quiet. Jim's a massively respected reviewer in the UK horror scene, so I was naturally relieved that he liked it so much:"Everington has always been one of those writers to watch out for, a gifted writer with a keen eye for refined horror, Trying To Be So Quiet doesn't so much as cement his place as a great writer, as but catapults him into the ranks of exceptional writers." (Review here.)
Then author Kit Power reviewed my collection Falling Over, which he claimed was his short story read of 2016 so far... He also said:
"...this is a masterful collection from a writer with an incredible deftness of touch. Note perfect grasp of character, the ability to render the mundane strange with a turn of phrase, deeply literate yet not an ounce of pretension, Everington is a quiet but potent voice in horror fiction." (Review here.)
10/28/2015
FantasyCon 2015 - After...
So, Fantasycon 2015. What a weekend.
This year it took place in my home town of Nottingham. Despite my being local, somehow Steve Byrne got to the venue before me, so when I saw on Facebook he was hanging around in the hotel bar I set off. We were soon chatting away over a pint and gradually other people arrived and joined our table: Ross Warren, Lisa Childs, Phil Sloman, Alison Littlewood & her partner Fergus, Simon Bestwick, Cate Gardner, Priya Sharma (who it was lovely to meet for the first time), Theresa Derwin, Steve Shaw and Dean R Drinkel.
The latter three were here for the unofficial launch of Masks (which features my story Porcelain) which we'd been planning to do in the bar... unfortunately the constant flow of people coming to check in and the unpromising acoustics meant we couldn't do any readings as planned, but the books looked great (the artwork is by the late James Powell, who sadly passed away earlier this year) so a number of people bought a copy and asked for signatures from me & Phil, which was great.
They'd been a stir of excitement in the hotel when Joe Hill (a late addition to the convention) entered, wearing a Haunting Of Hill House t-shirt no less. When I came back from the bar I found he was stood talking to our little group; Theresa was somewhat flushed and flustered, and managed to introduce me to him as if I were the important celebrity writer: "Joe, have you meet James Everington?" I could see in his eyes he was thinking 'who the hell is this guy?' but he was charming enough not to say it out loud. I just played it cool and told him I liked his t-shirt.
Me and Steve Byrne then went to get signed in and pick up our free books - in terms of choice it was far superior to last year, and I got some lovely hardback editions of Alison Littlewood, Joe R Lansdale and Sarah Pinborough novels, a Conrad Williams collection from PS Publishing as well as several interesting looking paperbacks.
We went into the convention venue proper then, and in the space of another drink or two meet Graeme Reynolds, Lynda E Rucker, Peter Mark May, Paul Feeney, Ray Cluley and his partner Jess, Mark West, Sue Moorcroft, Paul Feeney, Wayne Parkin, Stephen Bacon, Steve Chapman, Clover & Dion Winton-Polak and Emma Audsley. We then went to the first book launch, The Lost Film, featuring a novella apiece by Mark West and Stephen Bacon - two talented writers I'm proud to call friends. They both did a reading, watched over by publisher Chris Teague. It was a really good launch - a big queue for the book, which it deserved given the quality of both Mark and Stephen's previous work.
We then went off for some food, which given the rather poor quality of food in the hotel (already notorious even on the first day) and lack of other options nearby meant a walk to a Toby Carvery. The glamorous life of a writer. So let's gloss over that - back at the convention, Mark had a panel/mock gameshow to attend called The Atrocity Exhibition, which was different to say the least, and got some laughs. I had to leave that before the end to get to Victoria Leslie's reading. I've not managed to review it on here as yet, but I consider her collection Skein & Bone to be among the finest released over the last few years and her reading of one of the stories was predictably brilliant. Later, Victoria and I had a good natter at the bar about all things horror - these kind of conversations that you can't have with 'normal' people are why I relish events like Fantasycon. Somewhere in the midst of the next few drinks I meet both Nina Allen and Simon Kurt Unsworth, who I wanted to say hello to as they were on my panel the next day, and also Neil Williamson, a fellow Infinity Plus author who I've know online for awhile; we've been talking about meeting up at some point for ages.
It was then time for Simon Bestwick's reading, the late night atmosphere suiting his rather bleak extract from his forthcoming novel. After that (I think - bit hazy by this point) I spoke to Alex Davis who will be publishing Trying To Be So Quiet soon and we discussed some of his ideas for the design of the hardback, which sounded amazing.
Saturday started with the launch of Adam Nevill's new novel Lost Girl, complete with a free bottle of local ale - lovely. Adam's a great guy and very supportive of other writers - a fact shown by the fact he let a few of us take over the last fifteen minutes of his launch for a surprise event...
Jim McLeod is the man behind The Gingernuts Of Horror website, one the best sites out there, and he's been a tireless supporter of the horror genre for years, both of the big stars and us lesser names working in the small press. So Phil Sloman put together a book for Jim... a very special book, of which they'll only ever be one physical copy printed. Jim McLeod Must Die! features stories from over 20 different horror authors; in all of them a character called Jim McLeod dies or suffers a fate worse than death. My own story is called Peephole and it was an absolute pleasure to be asked to be included in something so special. The look on Jim's face when he realised what was going on was priceless and for me a moment that sums up Fantasycon: the friendships made at conventions really do lead to great moments like this.
Then followed the launch of the second Spectral Book Of Horrors, in which a huge number of the authors were in attendance to sign, including many I've already mentioned, plus top gents Robert Shearman and Stephen Volk - and of course editor Mark Morris and publisher Simon Marshall Jones.
The it was on to my first panel. Gulp. Which I was moderating. In the main theatre. Double gulp. British Horror Present & Future featured myself, Simon Kurt Unsworth, Nina Allen, Stephen Jones, Cate Gardner, Alison Littlewood and Adam Nevill. Of course, with a lineup as good as that I didn't really have to do much as moderator - we got through less than half the questions I had prepared because everyone's answers were so good. Someone said later that it had the feel of a proper discussion rather than just a back-and-forth Q&A so I was really pleased with that. And as with all these things, once you're actually doing it your nerves vanish.
After that a bunch of us went to Priya Sharma's reading, which was excellent, and confirmed what I already knew: that I need to read more of her work. I think it was just after Priya's reading that I said hello to Laura Mauro for the first time, another writer who I know online but was glad to meet in person. (Nearly all horror authors turn out to be lovely people, in my experience.) Then myself and Mark bumped into Andrew David Barker, whose novel Dead Leaves was being launched at the con. Andrew's a great guy but very modest and he couldn't have looked more abashed as me and Mark praised his book to heaven and back...
Then I went to see the Weirdness, Darkness & Madness panel, which was obviously right up my street. It was moderated by Terry Grimwood and featured Mark West, Kim Lakin Smith, Helen Marshall, Deborah Walker and Timothy J Jarvis. It was a great panel, one of the best I've seen at a convention.
Outside, we gathered in the foyer for one of the most important parts of any con - curry. Before setting off I had a quick chat with Timothy Jarvis - some of what he had said on the panel had been really interesting, and he gave me a copy of his book. He had a reading later, which I said I'd attend after the curry - after all we had nearly three hours, so what could possible stop me?
Unfortunately it wasn't to be - despite having booked, when so many of us turned up at the restaurant they were woefully unprepared. It was nearly 90mins before starters arrived, never mind the main course. (To be fair, my food was great.) So with the 20min walk either way, we were gone for hours, meaning I missed both Timothy's reading and the Undertow launch of Skein & Bone and Aickman's Heirs. Still, during the loooooong meal I was introduced to Simon Clark and had some good chats with Phil, Dean, Jay Eales & Selina Lock and Benedict Jones.
I had a late night reading slot (11.30) and I was thinking that at that time hardly anyone would turn up, especially as it clashed with the infamous Fcon disco (where I'm reliably informed Mark owned the dance floor for the second year running). But there must have been 20, 25 people there and I read part of my story The Man Dogs Hated which seemed to go down really well - I sold a number of copies of Falling Over afterwards with one person even turning straight to the story to see how it ended. My reading was followed by one by Kit Power (and his flamboyant trousers) which was really enjoyable. Outside, not fancying the sounds of the Timewarp bellowing from the dance floor I sat and had a few beers with Steve and Laura & Peter Watkinson, Stephen King (not that one) and Katina Bill.
I only attended one event on the Sunday, but it was a corker: a reading by Helen Marshall. Like all her work the story was simultaneously funny and moving. I saw a lot of great readings this year, but against tough competition Helen's was the best. I then perused the Dealers Room, having a chat with Terry Grimwood and then the boys from the Sinister Horror table. And then after a few more beers it was time for goodbyes. It took about an hour to say goodbye to everyone there at that point.
Reading back, somehow I've not even mentioned meeting Ruth Booth, Gary Couzans, KT Davies, Paul Holmes, Fiona Ní Éalaighthe (and her ear!), Andrew Hook, Carole Johnstone, Tom Johnstone, fellow Outsider Rosanne Rabinowitz, John Travis, Tim Major, Ren Warom (we'll have a proper chat next time!) or Paul Woodward. Which just about sums FantasyCon up - there's so many great people there, so many friendships to forge or renew that's it's impossible to remember it all.
A special mention must go to Adele Wearing though, who I didn't manage to see all weekend, despite the fact that she apparently waved at me on a few occasions. That's my professional networking skills for you - completely blanking an award winning publisher (Fox Spirit deservedly won this year's Small Press award) even when she beckoned me over...
There was a nice coda to the convention when myself and Phil headed into Nottingham to have some food and a few pints before his train. Phil had never been to Nottingham before, so I took him to The Broadway cinema (largely on the basis it has The Shining quotes on one window) and then, of course, to Ye Olde Trip To Jerusalem (or 'The Trip' as everyone in Nottingham calls it) which is meant to be the oldest pub in the UK, and is built into the cliffs under the castle. We had a great chat about our hopes for our writing in the future and then Phil left to get his train and it was all over...
I got home, dumped my bag... and later that night logged on and order my ticket for FantasyCon 2016.
This year it took place in my home town of Nottingham. Despite my being local, somehow Steve Byrne got to the venue before me, so when I saw on Facebook he was hanging around in the hotel bar I set off. We were soon chatting away over a pint and gradually other people arrived and joined our table: Ross Warren, Lisa Childs, Phil Sloman, Alison Littlewood & her partner Fergus, Simon Bestwick, Cate Gardner, Priya Sharma (who it was lovely to meet for the first time), Theresa Derwin, Steve Shaw and Dean R Drinkel.
![]() |
| Neil Williams, Wayne Parkin, me, a glass of free wine |
They'd been a stir of excitement in the hotel when Joe Hill (a late addition to the convention) entered, wearing a Haunting Of Hill House t-shirt no less. When I came back from the bar I found he was stood talking to our little group; Theresa was somewhat flushed and flustered, and managed to introduce me to him as if I were the important celebrity writer: "Joe, have you meet James Everington?" I could see in his eyes he was thinking 'who the hell is this guy?' but he was charming enough not to say it out loud. I just played it cool and told him I liked his t-shirt.
Me and Steve Byrne then went to get signed in and pick up our free books - in terms of choice it was far superior to last year, and I got some lovely hardback editions of Alison Littlewood, Joe R Lansdale and Sarah Pinborough novels, a Conrad Williams collection from PS Publishing as well as several interesting looking paperbacks.
![]() |
| Stephen & Mark |
We then went off for some food, which given the rather poor quality of food in the hotel (already notorious even on the first day) and lack of other options nearby meant a walk to a Toby Carvery. The glamorous life of a writer. So let's gloss over that - back at the convention, Mark had a panel/mock gameshow to attend called The Atrocity Exhibition, which was different to say the least, and got some laughs. I had to leave that before the end to get to Victoria Leslie's reading. I've not managed to review it on here as yet, but I consider her collection Skein & Bone to be among the finest released over the last few years and her reading of one of the stories was predictably brilliant. Later, Victoria and I had a good natter at the bar about all things horror - these kind of conversations that you can't have with 'normal' people are why I relish events like Fantasycon. Somewhere in the midst of the next few drinks I meet both Nina Allen and Simon Kurt Unsworth, who I wanted to say hello to as they were on my panel the next day, and also Neil Williamson, a fellow Infinity Plus author who I've know online for awhile; we've been talking about meeting up at some point for ages.
It was then time for Simon Bestwick's reading, the late night atmosphere suiting his rather bleak extract from his forthcoming novel. After that (I think - bit hazy by this point) I spoke to Alex Davis who will be publishing Trying To Be So Quiet soon and we discussed some of his ideas for the design of the hardback, which sounded amazing.
Saturday started with the launch of Adam Nevill's new novel Lost Girl, complete with a free bottle of local ale - lovely. Adam's a great guy and very supportive of other writers - a fact shown by the fact he let a few of us take over the last fifteen minutes of his launch for a surprise event...Jim McLeod is the man behind The Gingernuts Of Horror website, one the best sites out there, and he's been a tireless supporter of the horror genre for years, both of the big stars and us lesser names working in the small press. So Phil Sloman put together a book for Jim... a very special book, of which they'll only ever be one physical copy printed. Jim McLeod Must Die! features stories from over 20 different horror authors; in all of them a character called Jim McLeod dies or suffers a fate worse than death. My own story is called Peephole and it was an absolute pleasure to be asked to be included in something so special. The look on Jim's face when he realised what was going on was priceless and for me a moment that sums up Fantasycon: the friendships made at conventions really do lead to great moments like this.
![]() |
| Jim McLeod, Mark West, Phil Sloman (with Sue Moorcroft in the background) |
The it was on to my first panel. Gulp. Which I was moderating. In the main theatre. Double gulp. British Horror Present & Future featured myself, Simon Kurt Unsworth, Nina Allen, Stephen Jones, Cate Gardner, Alison Littlewood and Adam Nevill. Of course, with a lineup as good as that I didn't really have to do much as moderator - we got through less than half the questions I had prepared because everyone's answers were so good. Someone said later that it had the feel of a proper discussion rather than just a back-and-forth Q&A so I was really pleased with that. And as with all these things, once you're actually doing it your nerves vanish.
![]() |
| Me, Simon Kurt Unsworth, Stephen Jones, Cate Gardner, Alison Littlewood, Nina Allen, Adam Nevill |
After that a bunch of us went to Priya Sharma's reading, which was excellent, and confirmed what I already knew: that I need to read more of her work. I think it was just after Priya's reading that I said hello to Laura Mauro for the first time, another writer who I know online but was glad to meet in person. (Nearly all horror authors turn out to be lovely people, in my experience.) Then myself and Mark bumped into Andrew David Barker, whose novel Dead Leaves was being launched at the con. Andrew's a great guy but very modest and he couldn't have looked more abashed as me and Mark praised his book to heaven and back...
Then I went to see the Weirdness, Darkness & Madness panel, which was obviously right up my street. It was moderated by Terry Grimwood and featured Mark West, Kim Lakin Smith, Helen Marshall, Deborah Walker and Timothy J Jarvis. It was a great panel, one of the best I've seen at a convention.
Outside, we gathered in the foyer for one of the most important parts of any con - curry. Before setting off I had a quick chat with Timothy Jarvis - some of what he had said on the panel had been really interesting, and he gave me a copy of his book. He had a reading later, which I said I'd attend after the curry - after all we had nearly three hours, so what could possible stop me?
Unfortunately it wasn't to be - despite having booked, when so many of us turned up at the restaurant they were woefully unprepared. It was nearly 90mins before starters arrived, never mind the main course. (To be fair, my food was great.) So with the 20min walk either way, we were gone for hours, meaning I missed both Timothy's reading and the Undertow launch of Skein & Bone and Aickman's Heirs. Still, during the loooooong meal I was introduced to Simon Clark and had some good chats with Phil, Dean, Jay Eales & Selina Lock and Benedict Jones.
![]() |
| Paul Woodward, Phil Sloman, Stephen Bacon, Mark West, Alison Littlewood, Jim McLeod, me, Gavin Williams (front) |
I only attended one event on the Sunday, but it was a corker: a reading by Helen Marshall. Like all her work the story was simultaneously funny and moving. I saw a lot of great readings this year, but against tough competition Helen's was the best. I then perused the Dealers Room, having a chat with Terry Grimwood and then the boys from the Sinister Horror table. And then after a few more beers it was time for goodbyes. It took about an hour to say goodbye to everyone there at that point.
Reading back, somehow I've not even mentioned meeting Ruth Booth, Gary Couzans, KT Davies, Paul Holmes, Fiona Ní Éalaighthe (and her ear!), Andrew Hook, Carole Johnstone, Tom Johnstone, fellow Outsider Rosanne Rabinowitz, John Travis, Tim Major, Ren Warom (we'll have a proper chat next time!) or Paul Woodward. Which just about sums FantasyCon up - there's so many great people there, so many friendships to forge or renew that's it's impossible to remember it all.
A special mention must go to Adele Wearing though, who I didn't manage to see all weekend, despite the fact that she apparently waved at me on a few occasions. That's my professional networking skills for you - completely blanking an award winning publisher (Fox Spirit deservedly won this year's Small Press award) even when she beckoned me over...
There was a nice coda to the convention when myself and Phil headed into Nottingham to have some food and a few pints before his train. Phil had never been to Nottingham before, so I took him to The Broadway cinema (largely on the basis it has The Shining quotes on one window) and then, of course, to Ye Olde Trip To Jerusalem (or 'The Trip' as everyone in Nottingham calls it) which is meant to be the oldest pub in the UK, and is built into the cliffs under the castle. We had a great chat about our hopes for our writing in the future and then Phil left to get his train and it was all over...
I got home, dumped my bag... and later that night logged on and order my ticket for FantasyCon 2016.
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