Thursday 30 January 2014

Strange Hotels


I've been thinking for a while about why so many horror stories seem to be set in hotels or hotel rooms. Some of these stories, of course, are just using a hotel as a version of the haunted house, which I'm not really talking about here. Rather, I'm talking about such stories of shifting identity as Nicholas Royle's The Reunion, Hannah Kate's Great Rates, Central Location, Ramsey Campbell's Double Room... and even parts of The Shining. (And I’d be lying if I said I wasn't also thinking about my own The Other Room, and to a lesser extent The Time Of Their Lives from Falling Over.) Each of these stories seems to share a number of similar ideas and tropes: there are seemingly multiple version of the same character, overlapping timelines, and hotels with layouts that don’t make sense. (They’re all excellent, too.) But why are hotels such fertile settings for twisted weird tales like these, when staying away from home is normally considered a luxury?
 You’re Outside Of Your Comfort Zone: firstly, of course, when you stay at a hotel you’re in an environment outside of the one you know best. And within that environment you might be doing some fairly intimate things like sleeping or shitting or... well, you get the picture. All somewhere where the dimensions of the room aren't as you are used to, where the duvet feels heavier atop you than you’d like, and the pictures and mirrors aren't in the places you’d choose. (Of course, in the Other Room there are no mirrors at all.) And the sight outside their window isn't even your home town.
 
You’re Alone: in a few of these stories you’re not a part of a family or couples, but a lone business-person or someone else who has a reason to stay in a hotel on their own. (For a fiction convention, maybe...) There’s the boredom of sitting in your room watching TV alone, drinking alone and eating alone, despite the fact there might be others watching you do so, who seem equally alone. Which brings us to:
You’re Not Alone: there's the staff of course, and the other guests. Strange faces at the breakfast table; disturbing sounds through the adjoining wall. People you have to stand too close to in the lift. They could be anyone. But then also:
You Could Be Anyone: and this I think is the key to a lot of it. Staying alone, in a city you've never been to before and don’t plan to return to, you can be anyone. Or at least, that’s the fantasy. Slip off your wedding ring (or slip a different one on…),  drink more than you normally would, say things you’d never normally say to people you would normally not dare speak to. Somehow it all seems more permissible than at other times, it seems like there is less consequence to the things you do…
But in that, these stories seem to tell you, you are horribly wrong.
I’d be interested to hear about any other hotel-horror stories you can think of in the comments. Surely there’s a themed  anthology or two along these lines as well?

Sunday 26 January 2014

Recommendations: Two Chapbooks

Chalk by Pat CadiganI've read two impressive chapbooks recently: Chalk by Pat Cadigan (part of the This Is Horror series) and Terry Grimwood's Soul Masque from Spectral Press.

Despite being roughly the same length and both being 'horror' the two were as different as, well, Chalk and cheese. (Sorry.) Chalk starts off quietly and realistically, building up a view of the narrator's world - it's a growing up story, and tells of two girls who are best friends, and who mark their surroundings with chalk to indicate good places to hide from parents and siblings. The weird element intrudes gradually, and is subtly done - just how much should we believe of what the narrator is telling us, looking back as she is at events she can surely not have fully comprehended at the time? It's ultimately a story about the loss of the past, of the fragility of memory, and of childhood innocence so close you think you can recapture it...

By contrast Soul Masque starts with a bang; in fact it starts with an epilogue and ends with a prologue. It's a noir-ish story about shifting allegiances in the battle between Heaven and Hell, it's action driven by a cast of drug-addicts, angelic singers, and hideous demons. There's a lot of skill in the way Grimwood packs in so much unobtrusive world-building; equally so in daring to use a few different narrators in such a a short format. In contrast to Chalk's elegiac, quiet tone, Soul Masque seems to race along, driven by staccato prose and vivid one-line imagery that hit you where it hurts.

So, two excellent but very different chapbooks. Take your pick or just read both. And sorry again about that chalk and cheese joke.

Saturday 18 January 2014

The Book That Made Me




Picture
Delighted to be taking part in a new special feature on the Ginger Nuts Of Horror site where various authors talk about 'The Book That Made Me'.

I chose the Dark Feasts by Ramsey Campbell, which blew my mind as an impressionable teenager.

You can read what I had to say about it here.



Below is a picture of the Dalek ride that I mention in my piece; you'll have to read it to find out the connection between Daleks and Ramsey Campbell. (It's pretty tenuous to be honest.)



Wednesday 8 January 2014

Ravenous...



I've been interviewed on the Ravenous Reads website: I use the words "wannabes", "mix-tape", and "unfortunate reversals" in my answers, where I discuss Falling Over, Little Visible Delight and The Abominable Gentlemen... 

Sunday 5 January 2014

52 Songs, 52 Stories - The Book

52 Songs, 52 StoriesRegular readers of this blog will already know of Iain Rowan - a consistently exciting and inventive writer of crime and horror, and an Abominable Gentleman.

Well he has a new book out, called 52 Songs, 52 Stories. In his own words: "A very simple idea. Each week for a year, I picked a song at random, wrote a story inspired by it, and published it on the web to an audience of several thousand. This book is the result."

I've had the pleasure of reading most of the stories and they are predictably excellent. One of the stories is based on a song requested by me (Love Songs On The Radio by Mojave 3) and he certainly did it justice. 

Should you want to buy it (and you should) then links are here: 52 Songs, 52 Stories (UK | US)

List of songs/artists featured:

Why Don't You Kill Yourself (The Only Ones)
Never Tell (Violent Femmes)
Sexyback (Justin Timberlake)
Psychokiller (Talking Heads)
Love Songs On The Radio (Mojave 3)
Caught By The River (The Doves)
Brave Bulging Buoyant Clairvoyants (Wild Beasts)
Sabotage (Beastie Boys)
Waiting For The Man (Velvet Underground)
These Days (Nico)
Come Inside (My Bloody Valentine)
4' 33" (John Cage)
Poems (Tricky)
The Grey Ship (EMA)
Way Down In The Hole (Tom Waits)
Invocation (…And You Will Know Us By The Trail Of Dead)
Angel (Massive Attack)
We're No Here (Mogwai)
Lucky You (The National)
Everything Trying (Damien Jurado)
Wolf Like Me (TV On The Radio)
Sad and Beautiful World (Sparklehorse)
Walk Away (Sisters Of Mercy)
Jimmy James (Beastie Boys)
Feeling Yourself Disintegrate (The Flaming Lips)
Someday I Will Treat You Good (Sparklehorse)
Keep On Knocking (Death)
TV Eye (The Stooges)
Elephant Gun (Beirut)
Admiral (King Creosote)
I See A Darkness (Johnny Cash)
Clandestin (Fatoumata Diawara)
Don't Ask Me To Dance (Arab Strap)
What We Gained In The Fire (The Mynabirds)
Four Ton Mantis (Amon Tobin)
A Grand Love Theme (Kid Loco)
Police And Thieves (Junior Murvin)
Seventeen Seconds (The Cure)
The Piano (PJ Harvey)
My Autumn's Done Come (Lee Hazlewood)
Blackout (Anna Calvi)
Come In Alone (My Bloody Valentine)
The Beast (The Only Ones)
Feathers and Down (The Cardigans)
Coward (Vic Chesnutt)
The Dead Part Of You (American Music Club)
Twins (Gem Club)
The Drowning Man (The Cure)
Daft Punk Are Playing At My House (LCD Soundsystem)
Hell Is Round The Corner (Tricky)
Beginning Of A Great Adventure (Lou Reed)
Closedown (The Cure)

Saturday 4 January 2014

Recent Book Recommendations

The festive break means I've been off work and able to devote more time to do what I was put on God's earth to do: read books. Mind you, I received more new books as presents than I actually read, so in reality I've slipped back in my fight against the dreaded 'to read' pile.

These were the pick of the bunch of recent reading:


Dark Room - Steve Mosby
A very dark, very grim crime novel with an interesting intellectual premise behind it. After Black Flowers, confirms Steve Mosby as one of my favourite current crime writers.



Ill At Ease 2
A collection of seven horror short stories from Mark West & Co and as good as expected. Here's hoping there's a third volume soon!




The Thirteen Ghosts Of Christmas
The perfect time of year to read this anthology from Spectral Press; thirteen Christmas ghost stories ranging from the traditional Jamesian ghost story to the more modern horrors of Thana Niveau's spectacular And May All Your Christmases.




We Are Wormwood - Autumn Christian
A surreal tales of drugs, madness, and a demon with wormwood eyes, told in dense, lush prose. A true original.



Tales of the Weak and Wounded - Gary McMahon
I've got a theory (it's probably bunkum) that all great horror writers are great short story writers. Gary McMahon certain provides positive evidence here.