Oh no, some of you might be thinking, at that pace I'm going to have to wait years for the sequel to The Other Room! (I hope at least some of you are thinking something along those lines anyway...)
But I haven't actually been working on a solitary 9k story for nearly 18 months. I tend to have multiple stories on the go simultaneously, all at different stages of completion. Most I write in three drafts:
1. Handwritten draft where everything is a frantic, illegible scribble, with lots of crossings out, notes to myself, and misspellings. Character's names may often change mid-story at this point, and I'll get really basic things wrong in the rush like there/their/they're. My first drafts look something like this:
2. Second handwritten draft. Here I'll try and sort any basic structural plot problems, and rearrange, add or delete whole scenes or characters. I think there's something to be said for handwriting stories, even in this electronic age. There's an old adage for writers which says "kill your darlings". Don't let your oh so pretty sentences survive just because they are pretty. And for me that's a lot easier to do when early drafts are handwritten because it guarantees I'll have to physical write/type each and every sentence (and every word in every sentence) multiple times. Which helps me spot opportunities to quash something pretty.
3. Word processor draft. This can be quite quick, or another painful flailing around if the language of the story is still all wrong. I like to have fixed anything structural before I get to this stage though.
So at any given point I'll have multiple stories at various different stages in the above sequence, and I like to take a break from a story between drafts, and work on a different one. So now The Time Of Their Lives is finished, I might go back to a story called The Man In Blue Boots (at draft 2.) or one with the working title(s) Flies, Eggs, or No Insects At Sea (at draft 1. - titles are definitely things I don't have sorted until 2. at the earliest. I hate titles).
God knows if any other writers do anything remotely similar.
This year though I want to get some stories written from start to finish in a lot quicker manner, to mess with my approach a bit. Maybe I've become too comfortable in my routine, like a man who always has sausages on a Tuesday. I want to write some stories for markets with a set theme, with a set word count, to a set deadline. I think this will be good for my sense of writing discipline. Penny Dreadnought will help with this some, as will some other projects I have my eye on. I may fail, but even those failures will help me learn about the contours of my talent, such as it is.
That's the plan today, anyway. Wish me luck.
(By the way if you think 18 months was a long time for The Time Of Their Lives that's nothing - the final draft of The Shelter was completed 16 years after I first set pen to paper! I told you I might need some writing discipline...)