
Maybe such explanations are even more interesting for surreal or supernatural fiction, where a simple autobiographical explanation isn't available from the story itself.
And maybe, also, it's only wannabe writers who read the author's notes so avidly? I don't know, but as soon as I decided to put out some stories in a self published collection, I knew I'd do some notes of my own for them.
In order to give people a taster of what The Other Room contains I'm going to start posting these notes on this blog as a sneak preview (they may need editing slightly from the versions that will appear in the actual book to avoid spoilers). I start with the title story itself...
The Other Room
I've
the kind of job where I occasionally have to stay in hotel rooms on my own, but
not often enough to get used to it. And there's something weird about the
experience, a sense of anonymity to go alongside the anonymity of the cheap
hotel rooms themselves - no one knows you. You could be anyone.
Returning
from the hotel bar on one of these occasions, I put my hotel swipe-card in the
wrong door. Although nothing happened the thought occurred to me - what if it
had opened? This story pretty much wrote
itself after that initial thought. I didn't plan it, and things I wrote without
thinking turned out felicitously, such as the whole Waits/Straw thing. If I'd
planned that before hand, I would have spent ages getting two names which were
exact reversals of each other. But of course the world outside the Other Room
isn't an exact opposite of our own.
I
chose this as the title for this collection because reading fiction, in
particularly weird or fantastical fiction is
like stepping into a strange room. One where everything initially seems familiar and safe, but you still feel that
something, somewhere, is off-key...
Home Time
I'm
sure it will surprise no one that I wrote this whilst living in Oxford; like
the central character I did grow up in a Nottinghamshire mining village,
although the one presented in the story is an exaggeration.
This
was originally going to be a much longer piece, but in order to submit it to a
magazine I had to slim it down to make it fit a lower word count. They rejected
it, but fortunately Morpheus Tales accepted it - my first accepted piece of
fiction.
Slimming
this down made it better, I think; the whole thing now pivots around the
garbled quotation from Larkin. The poem is The
Explosion from High Windows.
I
see this as a ghost story, for what are ghosts but the past come back for us?
Some Stories for
Escapists
I
wrote a ton of these while I was at university; I think I was inspired both by Labyrinths by Borges and Stephen King's
description of horror archetypes in his non-fiction exploration of the genre Dance Macabre. I interlaced these
archetypes with personal, subjective views of my own on horror stories... The result was rubbish, but that's fine - every
writer needs to write some rubbish before they become any good. And being at
university gives you a perfect opportunity to write such rubbish, particularly
if it is pretentious rubbish, which
this certainly was. Fortunately I put the finished thing in a drawer and never
showed anyone.
About
ten years later I mined and revised the best bits from the bloated original
when I first saw the phrase 'flash fiction' on some trendy new website.
To Be Continued...